Sunday, November 04, 2007

Lessons in transcendence: Rahsaan takes it to another level

Picture the scene: It's 9.30pm on a mild October Wednesday. A hardcore contingent of soul music aficionados are gearing up for a short but satisfying gig from one of the genre's most gifted artists. By 11 o'clock it'll all be over and we'll go our separate ways, content until we meet again. Job done. Now for what really happened. Enter the world of Rahsaan Patterson:

In Rahsaan's world there are no worries about getting up for work in the morning or how to make the long journey home when the subway shuts down. No. In Rahsaan's world, where he is the Pied Piper and we are his followers, time stands still as he guides us through his outstanding collection of finely-crafted material, from his eponymous 1997 debut through to Wines and Spirits, his latest offering. Locked in transcendence for two-and-a-half hours of pure musical ecstasy, Patterson's rapt audience are consumed by the sheer force of his talent. If heaven were a sonic construct this would be it.

Patterson's voice is the central tool in a superior six-piece band that features two fine backing singers and a keyboardist who's notable, not as the lone white guy in the ensemble, but as a brilliant multi-instrumentalist. With undertones of Prince that speak of admiration not imitation, Patterson is an exceptional vocalist who epitomises soul. He simultaneously provides a lesson in artistry for wannabes while raising the bar for his peers.

At a time when it's the norm for artists to race through a set with little regard for their audience, Patterson is an utterly unselfish performer who clearly sees his role as paying his dues to his loyal fan base. And we were certainly repaid in full. Extended renditions of Sure Boy, Don't Run So Fast and the Van Hunt After Hours collaboration The Best were particular peaks in an evening full of highs. This is a man at the top of his game. There's Rahsaan Patterson, then there's everyone else.

At the end of the night I was disappointed to be leaving the Jazz Café. Forced back out in to the real world, the problem of getting home and being at work in just a few hours brought me back down to earth with a thud.

But I, like the rest of the crowd knew that for a time we were in the presence of greatness, treated to a very special show from a consummate artist who's truly out of this world. I can't wait for Rahsaan to return. "Earth to Planet Patterson... Beam me up Scotty!"

Wines and Spirits is out now on Dome Records in the UK and on Artizen Records in the US

Friday, November 10, 2006

Underrated R&B singers: Teedra Moses

When Teedra Moses’ debut Complex Simplicity was released in 2004 it was universally embraced by critics, receiving the kind of acclamation that’s equivalent to the commercial kiss of death. And so it was that her stunning collection of mood-setting songs failed to set the music world alight. Vocally reminiscent of eighties songstress Cherelle, Moses’ blend of intelligent lyrics set to subtle captivating beats was a breath of fresh air from the standard R&B fare. Her first single Be Your Girl showcased an intensity of spirit that was symbolic of an album full of class tracks including You’ll Never Find (A Better Woman), Backstroke, No More Tears, Caught Up and Complex Simplicity. Her passionate delivery combined with uncluttered production created one of the few musical highlights of 2004 and assured Moses’ of a small but dedicated fan base. While the rest of the world continues to miss out on this engaging talent the knowledgeable few await her follow-up with baited breath. SA

Underrated R&B singers: Donell Jones

If chart success were based on talent alone then all things being equal Donell Jones’ star would be huge. The Chicago native from the La Face stable is a singer, songwriter and producer of considerable flair but has yet to reach the heights of lesser contemporaries. The triumph of 2001’s You Know What’s Up proved that it's possible to marry understated vocal prowess with musical integrity and produce a commercially viable product. Which is why it’s a shame that his 2006 disc Journey of a Gemini has barely registered on anyone’s radar, not because the music isn’t up to the same high standard as his previous offerings (My Heart, Where I Wanna Be, Life Goes On) but because no one except die hard fans know it’s out there. Jones should sack his PR team (if he has one) and instead employ a publicist who understands that regardless of how much talent an artist possesses it’s really all in the spin. Maybe then he’ll finally get the recognition he undoubtedly deserves. SA.

Underrated R&B singers: Joe

Although Joe Thomas has been around for over a decade and is a household name in R&B circles, the singer has enjoyed limited and intermittent chart success, hence the title of his soon-to-be-released sixth album Joe Who? Joe Thomas. His most notable successes have come off the back of soundtrack cuts like the seductive All the Things Your Man Won’t Do and the club banger Stutter. Despite plying his trade for years with bigger and better tunes, his biggest hit to date was as recent as 2004 courtesy of his G-Unit collaboration Ride Wit U. Joe’s finest offering, however, 2000’s My Name Is Joe spawned timeless bedroom ballads like I Wanna Know, Treat Her Like A Lady and Somebody’s Gotta Be on Top and further confirmed his loverman credentials. While musically he may have a tendency to settle for the average, Joe is an exceptional vocalist and his longevity is testament to the fact that he makes quality R&B that hip-hop and soul fans can also dig, a fusion that’s produced a solid collection of long players spanning twelve years. SA.

Underrated R&B singers: Jaheim

Vocally evocative of sixties soul while lyrically grounded in new millennia R&B Jaheim is, as his album rightly proclaims a true ghetto classic. Having drawn comparisons to soul legends Teddy Pendergrass, Marvin Gaye and Luther Vandross, the big man with the big voice boasts an impressive back catalogue of consistently authentic hybrid R&B/soul. His 2001 debut Ghetto Love signalled the arrival of a major talent, with hits like Could It Be? and Just In Case scoring moderate chart success. Still Ghetto, his 2002 sophomore effort featured the breakout hit Fabulous while Jaheim’s latest offering Ghetto Classics cements his status as the flag bearer of quality contemporary R&B. SA.